Tuesday, December 1, 2015

301201 - The Williamson Survey (aka "Carmencita")



Recording status:  not recorded

In the mid-1850’s, the U.S. Secretary of War, Jefferson Davis (yep, that one – eventually President of the Confederacy during the Civil War) oversaw the Pacific Railroad Surveys. This project was launched to locate favorable railroad routes across the United States. Five railroad surveys were conducted, the fifth and final of these led by Lieutenant Robert Williamson, starting in California and heading north into Washington Territory. Robert S. Williamson (1825-1882), ultimately a lieutenant colonel in the U.S. Army, served as Chief Topographical Engineer of the Department of the Pacific. Oregon’s Williamson River, which flows through south-central Oregon, is named for the Lieutenant Colonel. This night's broadcast was a dramatization of Williamson's survey trek up through central Oregon.

Lt. Robert S. Williamson. Library of Congress collection

Long after the 1893 completion of the transcontinental main line of the GN, the railroad created a new and significant branch through central Oregon to offer shippers access to California on their trains. The work of the Williamson survey party three quarters of a century earlier laid out a feasible direction for the railroad to build the new line. Construction on the final section of this route [also known as the “Inside Gateway”] was started in 1927, running about 68 miles from Bend to Chemult, Oregon. The GN operated into Klamath Falls via trackage rights over the Southern Pacific, and from there the line was extended about 92 miles, into California, to meet up with the Western Pacific at Bieber. The line was completed in November of 1931. A year prior to the completion of the line, the Great Northern saw this topic as good material for a story on Empire Builders.
 

According to the material I’ve located to date, this broadcast of Empire Builders was not recorded by the Great Northern Railway. Nor have I yet located a copy of the continuity for this program, other than what may be a partial  copy published in the Great Northern Goat magazine in 1931. Adding to the incomplete nature of my knowledge of this particular radio play is that the title of it is likewise uncertain. Some resources present this broadcast as “The Williamson Survey.” In another source, it appears to be called “Carmencita.” When I first encountered this alternate title, I thought perhaps there was a confusion with an earlier broadcast called “Carmelita” (301006). However, I now understand these are two distinct names for two distinct broadcasts. The confusion was simply my own.

Photograph with caption, as it appeared in the January, 1931, Great Northern Goat magazine.
Author's collection

Uncropped version of same image as above, showing cast of "Carmencita."
This is a roughly 8 by 10 press photo.
Author's collection



The Great Northern Goat was a small format magazine published by the railroad for the primary purpose of keeping the company’s ticket agents apprised of news about railroad business, personnel, and changes in traffic rates or services. The Goat first appeared in 1925. It was published on a mostly monthly basis throughout its existence, which ended with the March, 1970, merger that created the Burlington Northern railroad. In addition to posting brief synopses of upcoming Empire Builders broadcasts, the Goat was twice published as a special edition to showcase the radio advertising campaign. The first such edition was issued for April, 1930, and had the cover title “Special Empire Builders Edition.” The January, 1931, edition of the Goat was titled the “Radio Number.”  My pal Lindsay Korst acquired a spare copy of this issue of the Goat magazine from me a few years ago. He then scanned the entire issue and posted it, page by page, to his web site devoted to all things GN:  http://www.gngoat.org/1931_goat.htm

 
This issue of the Goat contains a replication of an Empire Builders radio continuity – at least it appears to. It appears the material in the Goat magazine provided readers with a glimpse of what a radio continuity looked like. The article began by providing some of the dialog intended for the Williamson Survey (or Carmencita) broadcast, but then it broke into a lengthy review of the performers and production crew of the show (all in continuity, or script, format, as though it might have actually been broadcast that way). I don’t believe the folks behind the mike actually talked about themselves to the radio audience. I think it’s more likely the interviewing of principals of the radio series was provided only in the Goat magazine.

The Empire Builders broadcast of December 1, 1930, was announced as a story of the extension of the Great Northern Railway through central Oregon into the state of California. Here’s how a press release for the program was offered in the November 30, 1930, San Antonio (TX) Express newspaper:

EMPIRE BUILDERS WILL TELL STORY OF ROMANTIC WEST
Delving into the romantic story of California's past, a tale of adventure and exploration full of action, romance and breathless suspense will be told in the "Empire Builders" radio drama for Monday evening, Dec. 1, when the program goes on the air from the Chicago studios of the National Broadcasting Company between the hours of 9:30 and 10 o'clock Central Standard Time, and broadcast locally by WOAI.
The drama will tell of the surveying and laying out of the route followed today by the California extension of the Great Northern Railway. The love story of a beautiful Spanish senorita and a Westerner provides the main theme of the story, the dramatic interest of which is heightened by a succession of obstacles overcome only by hard fighting and heroic action.
The Empire Builders triumvirate of Harvey Hays as the "Old Timer," Bernardine Flynn as the Spanish senorita, and Don Ameche as the dashing young hero, will be featured again in the leading roles, supported by a large cast of actors. Elaborate sound effects have been planned to give the radio presentation an atmosphere of unusual realism.

The material presented in the Goat magazine began with content and format clearly reminiscent of one of the many actual continuities for the show that I’ve retrieved. Here’s how the representation of this show began, in the magazine at least:

Empire Builders
9:30 to 10:00 PM  CST                                                                                   Monday Nights
ANNOUNCER:         The Great Northern Railway presents EMPIRE BUILDERS!
(Orchestral music which fades to speeding train effect indicating the arrival of the Great Northern Railway’s crack train – The Empire Builder.)
ANNOUNCER:         Tonight, ladies and gentlemen, we are going to take you to the Chicago studios of the National Broadcasting Company, which occupy the entire 19th and 20th floors of the world’s largest building – the new Merchandise Mart. Here for the next half hour we will mingle with the cast of Empire Builders, listen to the music of Josef Koestner’s orchestra and peek into odd corners to see how this nationally broadcast radio program is produced.
I see that the members of the cast are now grouped before the “mikes” ready to go on the air. Suppose we listen to them for a brief time.
(The scene is laid near the Oregon-California boundary where construction crews are busily pushing steel southward on the Great Northern’s new extension into California. There is a background of steam shovel effects, tooting of steam shovel whistles, clang of rails, etc.)

I’m not quite sure what to make of that last bit, in the parentheses. I’m speculating that it was written, as shown above, as pure narrative for the sake of the magazine article.

The radio playlet opened with a conversation between the Old Timer and a fellow named Craig, who was involved in building the new railroad line into California. The Old Timer painted a glowing picture of the rich timber and farming land in the region of the new line.

CRAIG:          Yeah … Well, this part of Oregon and California’s waited a long time for this railroad.
OLD TIMER: (Chuckles) Seventy-five years about!
CRAIG:          Seventy-five years? Why, say, there wasn’t any railroads west of the Mississippi seventy-five years ago, were there?
OLD TIMER: No, there weren’t. but there were explorin’ parties right along here – and for that matter, all over the west, as early as 1855.
CRAIG:          Well, that’s sure news to me.
OLD TIMER: Yes, sir, and the remarkable thing is that nearly all the western railways were built pretty nearly along the routes discovered in those explorations before the Civil War – routes that were declared practicable by fine Army men like Gunnison and Stevens and Beckwith and Williamson.
CRAIG:          And this route between Oregon and California was one of them?
OLD TIMER: The very first railroad route ever explored up and down the coast! Yes, sir! The strange thing is though that the first railroad built didn’t follow it. (Chuckles) Why, Craig, I reckon if you’d been standin’ on this very spot back in August of 1855, you’d of seen a party of soldiers led by a young lieutenant named Williamson, a-comin’ over the ridge there – just about where you’re makin’ the big cut …

After the history lesson, the Old Timer was just on the verge of busting loose with another of his riveting stories.
CRAIG:          Well, I’ll be darned.
OLD TIMER: And it must’ve been right around here that the Indians had Terry an’ Hobbs an’ Suzanne cornered. Dog my cats, there’s a story for you sometime.
CRAIG:          (Laughing) Sometime! You know, there’s no time like the present, Old Timer.
OLD TIMER: Well, it was like this Craig. Lieutenant Williamson and his soldiers started out from Benicia – that’s down by San Francisco – and they was a-heading north. Why, I can just close my eyes and see ‘em all – Lieutenant Williamson … the soldiers … an’ a girl ‘bout as plucky as they come … Suzanne was her name.
(The orchestra comes in here playing a military number popular about 1850, indicating the transition to the scene of the story)

The acting troupe of the Empire Builders took their turns at the microphone to dramatize a brief scene in which the Lieutenant chats with Suzanne, Terry, and Carmencita. The Lieutenant and his men were about to embark on their surveying journey from Benicia (near the San Francisco Bay) to the Columbia River (which comprises a healthy section of the dividing line between Oregon and Washington). One of Williamson’s men, Joe Hobbs, also joined the conversation, which was pretty much limited to everyone exchanging farewells, and commiserating over the fact they would all miss one another. We also learned from this exchange that Hobbs had a pronounced stutter. Once the Williamson party mounted up and set out, Ted Pearson came to the microphone, and the entire continuity – at least as it appeared in the Goat magazine – took on an entirely different course.

ANNOUNCER:         And now, ladies and gentlemen, we will have to leave the actors for a while, as there are many things we must do in this half hour. However, for those who must know how the story ends, I will say that Terry receives news that there is Indian trouble to the north and rides forth to notify Lieutenant Williamson. He meets Hobbs and the two of them are cornered by Indians, who are henchmen of a Spanish renegade named Romero, but are rescued through the courage of Suzanne.
            The program closes with Romero getting his just deserts. Before continuing our explorations perhaps I had better introduce myself first.

Pearson then proceeded to invite one person after another to the mike to be interviewed. Regarding this night’s radio play, we learn through this process some of the cast assignments.
Old Timer:                   Harvey Hays
Lt. Williamson:           unnamed
Craig:                          unnamed
Suzanne:                      Lucille Husting
Carmencita:                 Bernardine Flynn
Terry:                           Don Ameche
Joe Hobbs:                  Bob White


(L-R) Lucille Husting; Don Ameche; Bernardine Flynn; Ted Doucet (unconfirmed). Press photo.
Author's collection

 
When it came time to introduce Bob White’s wife, Betty, the material in the Goat magazine planted the seed of a perplexing mystery. I may be getting redundant on this point, but I’ll make it again: a young woman (but an adult woman) named Betty White – Betty Reynolds White – was a member of the cast of Empire Builders in its final season. This was not a youthful Betty Marion White, she of the game show and sitcom fame of more recent years. Bob and Betty (Reynolds) White had three sons: Robert, Jr.; Bradley; and Evan. Bradley passed away in the late 1980s, not long after their mother passed. Robert is the eldest of the three brothers, having been born in 1928, prior to his parents joining the cast of Empire Builders. So although Betty Reynolds White was great with child in early December (Bradley was born in March of 1931), they had at that time, by all reliable accounts, only one child: Robert. The “other” Betty White – Betty Marion White – was born in Oak Park, Illinois (a suburb of Chicago) in 1922. At the time of this broadcast, Betty Marion White was almost nine years old, but she has stated publicly that she and her parents had relocated to California by that time. So all the available, reliable data indicates Betty Marion White never had anything to do with Empire Builders. But here’s where it all starts to get a little odd.
 
Betty Reynolds White, who appeared on Empire Builders.
Author's collection



 
Betty Reynolds White, at a petite 4’11” tall, specialized in child’s voices. In fact, many fans of Empire Builders wrote to the railroad to ask the identity of the adorable little girl they heard on the radio, only to learn the “little girl” was in her mid-20s. And very pregnant. From the January, 1931, Goat magazine, here’s what Ted Pearson supposedly said about Betty Reynolds White:

After the Thanksgiving program we received a number of letters congratulating us on the excellent child actress we had obtained for that program. Of course I may be giving away a state secret but that “child actress” wasn’t quite as young as she seemed, as she has a daughter old enough to fill the part visually that she took vocally. This was Mrs. Betty White.

I have spoken by phone with both Robert and Evan White. They are both adamant that they did not have a sister – at least not one that they ever knew of.

I have located corroborating alternate sources to validate virtually all factual detail pertaining to the several individuals mentioned in this Goat magazine article, with the glaring exception of the comment about Betty White having a daughter old enough to have played a young girl. Was this a complete fabrication? Was it willfully deliberate? Or was there some hidden truth to it? And even if Bob and Betty White had a daughter, one who vanished from their lives and was never mentioned to their sons in later years, what became of her? Could a fanciful tale be concocted to tie Betty Marion White’s life into this odd story? That just seems beyond outlandish. It is well documented that the parents of Betty Marion White were Christine Tess (née Cachikis) and Horace Logan White. If one were to conjure up a story of how Bob and Betty White had a daughter, named her Betty like her mother, and then found some circumstance to put her up for adoption, what are the odds the adopting parents would also be named White? It’s all pretty preposterous, and has not a shred of valid evidence to support it. But if Bob and Betty White did have a daughter, and it was not Betty Marion White, then who was she and what became of her? Frankly, it seems like the most rational answer to this puzzle is that the author of the Goat magazine article invented the daughter assertion to underscore the age of Betty Reynolds White, without actually stating her age in years. Even that explanation seems pretty strange, but at least it provides an angle that allows for all the other known facts to reside in harmony.

(L-R): Bernardine Flynn; Harvey Hays; January the hound dog; Bob White; Lucille Husting; Don Ameche.
Author's collection


One of the principals of the radio series mentioned in the Goat magazine was Harold M. Sims, the executive assistant to the GN’s president, Ralph Budd. Ted Pearson duly noted the contributions Sims was making to identifying and inventing crucial sound effects, and also his couple of script submissions. One of the many duties that former newspaperman Sims had with Empire Builders was to write the weekly (and additional periodic) press releases about the broadcasts. When Sims was “brought to the microphone” (in reality, or only in print), he commented on the recently concluded radio script writing contest. He summed up the details thoroughly:



This year it was decided to give our listeners, particularly those living in the Northwest, an opportunity to get their favorite story produced in this series of programs. So, with the cooperation of five of the N.B.C. stations, we announced a series of radio story contests with prizes of $250, $150 and $100 offered for the three best stories in each contest. Conditions similar to those I have already mentioned, were made and judges were appointed by the various stations.



The returns from this source were far more than we expected and the judges had considerable difficulty in picking the best continuities. However, decisions were reached in all the contests and following is a list of the winning stories and their authors:



In the KSTP, St. Paul, Minn., contest Mr. Edward Staadt of the University of Minnesota won first prize. In the KGO, San Francisco, Calif., contest “La Mariposa,” written by Emilia Clapham of Berkeley, was declared the winner. Miss Ida M. Jones of Spokane, Wash., won the contest conducted by KHQ of that city with a story on Colonel Steptoe. Miss Vera S. Cockrane of Bremerton, Wash., was winner of the KOMO, Seattle contest. Her story was called the “Ascent of Mt. Rainier” and Mrs. E. W. Ryan of Vancouver, Wash., won the KGW, Portland, Ore., contest with a story entitled “The Marriage Tree.”



A contest was also sponsored among the members of the Great Northern Railway and the winning story was by Mr. Mark Haywood.

As the stories submitted by these contest winners come up in the rotation, I will comment about them in the corresponding future blog entries.
 
Until next week, keep those dials tuned to Empire Builders!
 


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